|
Save up to 50% if you register now! |
| |
| |
| Moopuna: Home - About Moopuna - Search - Help | Login - Register Now |
| |
| |
| |
| |
| |
| |
|
Term Papers Categories Acceptance EssaysAlcohol & Drugs American History Anatomy & Physiology Animal Science Anthropology Architecture Arts Astronomy Aviation Biographies Biology Book Reports Business Chemistry Computers & Internet Creative Writing Current Events Economics Education Engineering English Environmental Issues Ethics European History Film & Cinema Foreign Languages Geography Government Health & Beauty Health Care History Human Sexuality Legal Issues Marketing Mathematics Medicine Movies Music Mythology Philosophy Physics Poetry Political Issues Political Science Psychology Religion Science Shakespeare Social Issues Sociology Speech & Communications Sports & Games Supernatural Issues Technology Theater World History Zoology | |
|
|
Arnold Fiend
2-24-97 English 106 B4 Arnold “Fiend” In Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” critics argue whether the character of Arnold Friend, clearly the story’s antagonist, represents Satan in the story. Indeed, Arnold Friend is an allegorical devil figure for the main reason that he tempts Connie, the protagonist, into riding off with him in his car. Oates characterizes Arnold Friend at first glance as “a boy with shaggy, black hair, in a convertible jalopy painted gold”(581). She lets the reader know that Arnold is not a teenager when Connie begins to notice the features such as the painted eyelashes, his shaggy hair which looked like a wig, and his stuffed boots; these features led her to believe he was not a teenager, but in fact, much older. Oates does make Arnold out to be a psychopathic stalker, but never objectively states the diabolical nature to his character. In “Connie’s Tambourine Man”, a critical essay on the story, the authors write about Arnold Friend: “There are indeed diabolical shades to Arnold just as Blake and Shelley could see Milton’s Satan a positive, attractive symbol of the poet, the religious embodiment of creative energy, so we should also be sensitive to Arnold’s multifaceted and creative nature”(Tierce and Crafton 608). Mike Tierce and John Michael Crafton suggest that Arnold Friend is not a diabolical figure, but instead a religious and cultural savior. On a more realistic note, Joyce M. Wegs argues the symbolism of Arnold Friend as a Satan figure when she writes: “Arnold is far more a grotesque portrait of a psychopathic killer masquerading as a teenager; he also has all the traditional, sinister traits of th... Please login to view comments from other users.
If you are having problems registering, please don't hesitate to contact us. | |||||||||||||||||||||||||
|
|
| Home | Register | Search | Help | Contact | Retrieve Password | Cancel Subscription | Privacy Policy | Disclaimer | Back to Top |
|
|
|
| © Copyright 1999-2007 Moopuna.com. All Rights Reserved. |